Ce n'est pas une revue.
The Invisibles: Say You Want A Revolution (v1): I didn't read this when it first came out back, as I'm generally lowbrow and this seemed like Morrison going highbrow, but I'm becoming more of a Morrison fanboy, so I figured I'd give it a try. It's very British, very 1980s (well, the style originated in the 1980s, even if most of its examples are 1990s). I like the Jill Thompson issues better than the Steve Yeowell issues. It's ambitious, with a lot going on, and this is no more than part one of a much longer story. Probably I'll pick up other collections from time to time, but I'm not going to rush out and buy the rest of the volumes immediately, which I guess qualifies as a mild recommendation.
Invincible: Eight is Enough (v2): 25% off sale at my local comic bookery, so I figured I'd give this a second try. It still has pretty crappy art, a perfectly ordinary teen-superhero story, and not enough Atom Eve. I did not anticipate the perpetrator of #7 (the third chapter herein), I don't know what's going on, and the book hasn't built up enough expectation that the payoff (not in this volume) will be worth it, so there probably won't be a third try. Not recommended at this price.
The Punisher: Streets of Laredo (v5): Marvel does not appear to have a consistent numbering scheme for their Ennis Punisher volumes. I like Ennis, though he's not stretching himself on the Punisher. He probably can't really stretch himself on a corporate icon, though it would be nice if he were doing more than rewriting old Preacher scripts without the emotional impact. Tim Bradstreet's covers are amazing. It is no real surprise that the best story in the volume is a collaboration with Steve Dillon; it is contrived, the protagonist has authorial fiat, but it has some decent emotional content. The Elektra story is almost parodic. The title story, with sub-par Cam Kennedy art, is basically trite. The second Steve Dillon piece, winding up the volume, is also treading water. Read Preacher first, otherwise neutral recommendation.
Tom Strong's Terrific Tales v1: There are basically three series in this anthology: The largely inconsequential Young Tom Strong, by Steve Moore; the always-good Tom Strong shorts by Alan Moore et al. (I particularly like Svetlana X and I admire the craft of the trading card story); and the Jonni Future stories by Art Adams (with Steve Moore). And man, can that Art Adams draw up a storm. He doesn't often seem to hook up with the really best writers, so he generally seems to be wasting a lot of potential. Jonni Future is really pretty, but weightless.
Quick Takes:
I hereby propose that any Curmudgeon using "meh" as a serious adjective or emotional descriptor be stripped of his Curmudgeondom.
"teh suck" too, while we're at it.
But all the hip young kids are using "meh"!
Perhaps we need to come up with our own super Curmudgeons lingo. PVP: Pretty good as a comic strip, pretty mudge as a comic book. Or: I've got to unload a peck of curm on Doctor Spectrum.
I picked up Invisibles completely out of order in collected form. I think I liked the second volume the best (collections 4-6). It seemed like a more cohesive unit. The art by Phil Jimenez didn't hurt either.
Punisher v1: Welcome Back Frank (original Marvel Knights miniseries #1-12)
Punisher v2: Army of One (ongoing series #1-7)
Punisher v3: Business as Usual (#13-18)
Punisher v4: Full Auto (#20-27)
Punisher v5: Streets of Laredo (#19, #27-32)
Punisher v6: Confederacy of Dunces (#33-37)
Punisher MAX v1: In the Beginning (MAX series #1-6)
Punisher MAX v2: Kitchen Irish (#7-12)
The first six are also available in three oversized hardcovers labeled #1-3. The only gap is #8-12, which were not by Ennis. Iirc, the series was originally supposed to feature Ennis & Dillon in six issue spurts, with other creators filling out the rest of the year. Sales probably plummetted and they soon had only Ennis writing the series. Some earlier printings of the non-MAX books didn't have volume numbers on the side. The ongoing series had the strongest stuff up front. I haven't read the MAX volumes as I'm pretty Punisher-ed out at the moment. I'll go back and get them eventually.
Tom Strong's Terrific Tales was pretty mediocre. I haven't reread the issues, but I only remember occasional snippets. I made a mistake buying Tomorrow Stories in hardcover. I won't do that again with this anthology series. I love Art Adams and wish he could similarly reinvent his career like Jim Lee. If they could give him enough lead time or if he could somehow produce work faster, he'd be just as much of a top draw as any artist working today.
I'm wondering if the murderer in Madrox is as obvious as I think it's going to be. It's a fun little series in the interim though.
Terra Obscura - I read it on Friday and I don't even remember what revelation you're talking about. I like this series (and its predecessor) well enough while actually reading it, but it's just fluff. I expect the more hands-on approach Moore will be taking with the IPC characters will make them more worth reading even though it's basically exactly the same concept as using the Nedor characters.
But all the hip young kids are using "meh"!
All the unhip forty-year-old bloggers are using it, too.
I think the Jiminez issues (in volume 2 and the fantastic three-issue arc he did for volume 1) are the best Invisibles, hands down. Volume 1 gets a lot better in the second collected trade and frequently achieves brilliance in the third (which includes the aforementioned Jiminez arc).
Basically, Invisibles improved a lot once Vertigo let Morrison start shooting and killing things.
I only just turned thirty-seven, you young whippersnapper.
Like I said, I'll probably pick up Invisibles collections every so often. If they indeed get better, it is likely that my purchasing will accelerate.
Unloading a peck of curm sounds like something you're expected to do at the Jonni Future stories.
It is, however, permissible, if you are a computer game industry professional to say:
i r teh 1337 r0xxor!
Especially if you have beaten Halo on Legendary (which I have).
--Chris M.
(Happily working his way through Halo 2...)
Planetary #21 was further evidence that the series is just a Mary Sue epic about Ellis' relations with Marvel.
I mean, to paraphrase Pat Robertson, CAN IT BE MERE COINCIDENCE that the Meredith Yayanos analogue tells Snow his purpose in life is NOT to constantly beat up on and get his revenge on obvious Fantastic Four analogues for killing the great things in the world after Ellis signs a new exclusive contract with the almighty M?
Which, by the by, has resulted in the best Iron Man since the Michelinie/Layton run?